GONE
GONE
Video by Cecilia Dougherty
Review by Kara Williamson
The 8th Annual New York Underground Film Festival closed on Sunday March 12th with a double billed screening of Cecilia Dougherty's split-screen, installation-like video: GONE. Inside the Anthology Film Archive fans muscled through a packed
GONE is thick with visual layers. It is a wry look at family and friends, where 'digi-scape' meets urban monument to reflect a hidden landscape of the underground artist. The story is loosely based on a television series from the early 70's -- a real life TV docu-drama called An American Family staring the "Louds" -- and un-folds during a family reunion in
Sillman is the outsider submerged in an aimless and kinetic energy of the city. Inside the Chelsea Hotel Sorensen hangs out in the background like wall paper while humdrum conversation drones on between "the Louds" like two rocking chairs going back and forth over time. These characters are so alien in one breath yet eerily recognizable in another.
The sound score is an original blend of ambient tunes from keyboardist Johanna Fateman with music by Le Tigre and Mike Iveson that infuse montage sequences intercut between painfully funny narratives. In these non-narrative sequences urban environment meets the oddly organic -- a "forest" of towering flowers is slapped next to a towering brick building, scale askew. There is a stark contrast between the "Disnification" of
Dougherty admits that she stopped counting how long it took to create GONE after the fourth year. With her masterly use of images and narrative style aside, the dialogue going on between the split-screen is totally awe-inspiring. Like the more mainstream theatrical release of last year's Time Code, GONE is a fresh, experimental, narrative fusion that forces an active viewing.
GONE is soon to screen at Lux in
For more information on GONE{ www.gonevideo.com}