The Money and the Power: The Making of Las Vegas and Its Hold on America 1947-2000
by Sally Denton and Roger Morris
published by: Alfred A. Knopf
392 pages
Review by Lee Klein
Welcome to a magic-tragic carpet ride where all the stories of what made the desert oasis of
Meanwhile, this volume's key point is that this electric city of themed gambling palaces and vice for every pocketbook, this shining beacon of a conspiracy, of mob syndicate, intelligence and government forces was a criminal enterprise undertaken for the benefit of all. The book starts out by mapping a foundational history which links the political ambitions gained and lost elections, lives and deaths both political and mortal of a series of politicos whose ties to Vegas were as much as umbilical. Then for the rest of the show we watch the corrupt doings of a cast of characters straight out of Oliver Stone, Mario Puzo, and Mel Brooks as they plot, aspire, murder, and merge while the mother fucker blows up big time into the pleasure center of the known universe.
At first I wanted to assail Morris as a disaffected Nixonite or Johnsonian (under both of whom he worked at the National Security agency until resigning over the invasion of
Of course
Throughout the casinos of downtown Meyer was the man behind it all. This low profile no publicity gangster had some one in almost every joint skimming for him. Therein the deal was for every one dollar that was reported as actual revenues there was another three parts skimmed. Of theses three parts skimmed two went to Meyer and one to the gangsters or front men running the joint for Meyer. Meanwhile, Meyer headed up a vast syndicate as different factions from throughout the
Further, we discover how Meyer often brought in different criminals from other regions like Benny Binion of Dallas to run his various joints (such as in this case the aptly named Binion's Horseshoe). In doing so the authors show various mobsters like Sam Giancana, Mo Dalitz, Gus Greenbaum, Tony Condero, and countless others as they move in and out of power at different joints on the strip and downtown such as the Stardust, the Sands, the Sahara, the Riviera, and the Tropicana.
It was not until Tennessee senator Estes Kefauver's traveling committee hearings on organized crime (when the state of Nevada held a Continental United States monopoly on gambling) that the question of syndicate involvement of Vegas was even broached. The authors here argue that Kefauver unjustly blamed the criminal affairs on the Mafia {thus inferring an Italian predominance}. However,
The end of this pax la costra nostra is depicted in the beginning of the chapter "High Rollers" and with a series of assassinations in a staccato sequence which is eerily evocative of Martin Scorcese's film version of Mario Puzo's Casino. Was the Robert DeNiro character Johnny Roselli? You can hear the car bombs going off, the rapid rain of machine gun fire, and Mick Jagger on lead vocals belting out "Gimme Shelter" straight from the movie's soundtrack. Kefauver had to turn to FBN (the DEA forerunner agency the Federal Bureau of Narcotics) chief Harry Anslinger (who helped only marginally so as to not unveil his moles and double agents) as Meyer Lansky was left alone by the FBI. This scenario came into place as Lansky had the goods on J. Edgar Hoover (that is proof that he was a transvestite and a homosexual). So then when Kefauver needed this no good help from the feds so to later did the young attorney general Bobby Kennedy.
In the chapters "Party in
The book begins sort of hokey-pokily with plenty of three dollar vocabulary words including the use of the word furtive to describe characters and their practices (so often that the authors practically put the word itself out of business ). It takes a few long junkets into the Kennedy assassination and the
So the next time I walk down
Lee Klein 2001