Vilma Hodo in Raw Artists Festival at Brooklyn Bazaar.
Read MoreSeria
Como buscar una parte de ti mismo.
Mirate en un espejo y vete a ti mismo
Mira las caracteristicas de tu rostro
Mira el ser detrás de esos ojos
Todas tus facciones
Presta atención
El tipo de nariz que tienes
El arqueado de tus cejas
El contorno de pómulos y boca.
When I first entered this exhibit, I knew only bits and pieces of Whitten’s work - namely, his use of a “developer”, a handmade canvas-sized squeegee contraption that allowed him to make a painting in a manner of seconds. His developer paintings were on display, as were his homages, and sculpture from throughout his career.
Read MoreIf you can make it there, you’ll make it anywhere. And I almost made it in New York. The grand irony being that when I was finally strong enough to live in the city, I decided to leave it. The first half of my thirties were spent annulling the many mistakes of my twenties: the unavailable men, a daily struggle with bulimia, that phase in the fetish scene. By the time 33 rolled around (the exact age in which Jesus had died for our sins, according to my Catholic upbringing), I had learned to keep my meals down and my head up.
15 years in the Big Apple had afforded me a wild ride, but I was in danger of becoming rotten all the way through. Despite the perks of living a semi-glamorous life in Manhattan—being a wellness guru to celebrities and scions while living in a centrally located shoebox—40 was a threat, not a promise. I had become so good at distinguishing the married women from their lonely single counterparts on the subway, before ever looking at their fingers, only their faces, whether their eyes possessed a certain softness or not, that I avoided my own reflection in those train windows. I didn’t need to be married, but I was sick of being single.
Read MoreLess than a week since I arrived in New York, and I have the impression that, if the city has changed, its inhabitants haven't since John Dos Passos descriptions in Manhattan Transfer.
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