Essays and Reviews Jim Feast Essays and Reviews Jim Feast

Review of Patrick E. Horrigan, Pennsylvania Station (Amherst, MA: Lethe Press, 2018)

Patrick E. Horrigan, in his new book Pennsylvania Station, weaves together two, carefully articulated, grand themes, one of which would have been enough to tackle, more than enough,  for your average novelist.

Patrick E. Horrigan, in his new book Pennsylvania Station, weaves together two, carefully articulated, grand themes, one of which would have been enough to tackle, more than enough,  for your average novelist.

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Poetry & Prose Madlynn Haber Poetry & Prose Madlynn Haber

Three Poems

All About Being Rescued

As our minds travel in the same direction,
back to the same scene,
back to the moment of laughing out loud.
Traveling to the exact same place,
where we both knew just
what the other one meant.

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On our minds Jane Mayer and Ronan Farrow On our minds Jane Mayer and Ronan Farrow

From The New Yorker: Four Women Accuse New York’s Attorney General of Physical Abuse

Update: Three hours after the publication of this story, Schneiderman resigned from his position. “While these allegations are unrelated to my professional conduct or the operations of the office, they will effectively prevent me from leading the office’s work at this critical time,” he said in a statement. “I therefore resign my office, effective at the close of business on May 8, 2018.”

Illustration by Oliver Munday; Photograph: Drew Angerer/Getty (man)

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On our minds Masha Gessen On our minds Masha Gessen

From The New Yorker: How Michelle Wolf Blasted Open the Fictions of Journalism in the Age of Trump

          On Saturday, the comedian Michelle Wolf, performing at the annual White House Correspondents’ Association dinner, delivered the most consequential monologue so far of the Donald Trump era. Some of the attendees claimed to have walked out of the dinner in protest during the performance; others, like the President’s press secretary, Sarah Huckabee Sanders, have been lauded for remaining stoically in place in the face of scathing humor.

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Essays and Reviews, Music Earl Brooks Essays and Reviews, Music Earl Brooks

If Kendrick Lamar keeps this up, he may just be this generation’s Duke Ellington.

Kendrick Lamar’s recent award of the Pulitzer Prize for his 2017 album Damn. is as much of a cultural watershed moment as Duke Ellington’s infamous Carnegie Hall debut in 1943. At this pivotal point in Ellington’s career, he had already cemented his status as one of the most accomplished and prolific musicians of his generation. With hits such as “Black and Tan Fantasy,” “Mood Indigo,” “It Don't Mean a Thing (If It Ain't Got That Swing),” “Take the A Train,” and many others, Ellington was sonically redefining black music while serving as one of the central sirens of a burgeoning, modern black subjectivity.

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Essays and Reviews, Film & Theatre Monica Link Essays and Reviews, Film & Theatre Monica Link

Byron Allen Produced “Chappaquiddick” Breathes New Life Into Kennedy Scandal

          There are scenes that speak to Sen. Kennedy’s inadequacies from being the brother of a former President and a popular politician. Sen. Kennedy also had a strained relationship with his father.

The reenactment of the car being pulled the car out of the river and the reaction of the diver and the town sheriff show the shock of the town and how political power and selfishness can collide with society. 

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Essays and Reviews Tribes Essays and Reviews Tribes

Danny Shot’s WORKS Works

He retired, didn't quit his day job, one of the first second third generation immigrant youth pining for space, for more road, aspirations for a better life, "making it in America." The promised land, New Jersey, Springsteen, Patti Smith, WC Williams, Ginsberg, Eliot Katz & Jack Wiler, myriads more, all legends, where the ordinary is extra and the Average is Whitman's Divine Average.

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Essays and Reviews Karra Barber-Wada Essays and Reviews Karra Barber-Wada

Again...

It was 4:15 – fifteen minutes after I said I’d be there to pick her up, and I wasn’t even in my car yet. Geez! The phone rang.  It was my sister. “Can’t talk now, I’ll need to call you back. Mom’s waiting and…”  

“Uh, yeah! She’s called me three times wondering if you’d forgotten her at the church,” she said tersely.

“Gotta go.”  The only reason I was stuck with this job was because my sister, Laura, was at home taking care of two sick kids. As I approached the intersection, a block from the church, I noticed an elderly woman in front of me. She was perfectly still. 

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Essays and Reviews Tribes Essays and Reviews Tribes

BRONZE AGE REDUX: On Debt, Clean Slates And What The Ancients Have To Teach Us

One of the most compelling sequences in the Oscar-winning Inside Job, Charles Ferguson’s indictment of Wall Street’s role in the 2008 global financial meltdown, involved not the banker culprits but their supporting cast. These were the Ivy League accomplices. Ferguson mightily skewered these economists for the cover they gave the sub-prime Hamptons dwelling wise guys whose rescue turned out to be a pretext for one of the largest reverse-Robin Hood wealth transfers in history.

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Essays and Reviews Keith Gilyard Essays and Reviews Keith Gilyard

A Review of Michael Simanga's "No One Can Be at Peace Unless They Have Freedom"

In the spirit of Marvin Gaye, one of several artists honored in No One Can Be at Peace Unless They Have Freedom, this volume is Michael Simanga’s What’s Going On book. It is an urgent and majestic mix of inner-city-blues-what’s-going-on-save-the-children--mercy-mercy-me-right-on-wholy-holy sensibilities remastered for our times.

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On our minds Jon Caraminaca On our minds Jon Caraminaca

New York Times Review: Beyoncé Is Bigger Than Coachella

INDIO, Calif. — Let’s just cut to the chase: There’s not likely to be a more meaningful, absorbing, forceful and radical performance by an American musician this year, or any year soon, than Beyoncé’s headlining set at the Coachella Valley Music and Arts Festival on Saturday night.

It was rich with history, potently political and visually grand. By turns uproarious, rowdy, and lush. A gobsmacking marvel of choreography and musical direction.

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